Saturday, August 29, 2009

Mental Health Break


Courtesy of Lucas Silva:

Wednesday, August 19, 2009

Taking It Easy (Well, Not Really)


I've been feeling bad about not being able to blog recently, but I see some of my fellow African music blogmeisters have also been slacking off this month! In my case the hiatus is due mainly to preparing for our first daughter's upcoming move to college - a big transition for all of us. To protect Aku's privacy I'm not going to say which school she's attending, but we're pretty happy with it, and of course we couldn't be prouder.

So I hope to be back in action in a week or two. In the meantime may I draw your attention to two worthy new additions to the African music blog scene?

ElectricJive specializes in South African jazz and jive, and I'm quite impressed with the first few entries, full-length LPs from Hugh Masekela, Barney Rachabane, Mahlathini and more, definitely worth your while. Then there's Afro-Synth, which for want of a better term features South African "bubblegum music," the synth-infused pop sounds that were all the rage back in the '80s and early '90s. For now the blog features mainly write-ups, but I understand it'll be adding more downloads as time goes by. I told Uchenna over at Comb and Razor this one was right up his ally! Not really my thing, but who knows? It might be yours.

Take care, and happy listening!

Saturday, August 8, 2009

The Man Behind the Music




One of the fringe benefits of doing this blog is that I occasionally hear from the musicians I write about, and their relatives. Thursday I got an email from Anthony Obianwu, the son of "Uncle" Mike Obianwu, whom I wrote about briefly in this post, reporting his death on July 20th. He was 93 years old.

Uncle Mike was not a well-known musician. He is remembered mainly for his stellar piano work on Nelly Uchendu's famous LP Love Nwantinti (Homzy HCE 005, 1976), and the great irony of this achievement is that the album was originally credited to Obianwu himself, with Uchendu playing only a supporting role. After Uchendu's acclaimed debut at FESTAC '77 in Lagos, the album was reissued with a new cover credited to "Nelly Uchendu and Mike Obianwu." Anthony tells me that his father released one other album in his own name, Crashes in Love, and I suspect he was present on other recordings as well. The other members of his band were Bassey Edim on bass and Willie Udor on drums, with Nelly Uchendu supplying vocals until her death in 2005.

Let's take a moment to remember Uncle Mike and the many other unsung heroes of African music. Here is a touching tribute in his honor by his family:

Ezennia Michael Davidson Obianwu, God saw you getting tired as your youthfulness turned gray. The days flew by as you celebrated your well lived 93years of aging memories. You were our ROCK and you will forever live in us, a befitting metaphor is your name OBIANWU. Your name will never die for we your children will carry on your legacy with every breath we draw. Your heart was so beautiful and pure, so meek and gentle, so loving and very forgiving. We became greedy, wishing you could hang around for another 93. We can now see that your every awakening and perseverance, is your way of hanging around to protect your loving family. The Almighty God knew this too, so HE wrapped his arms around you, and whispered, "COME TO ME."

You went through a journey very few can only dream about, you married your beloved wife and our mother Victoria Obianwu on December 26, 1949, and you were both rewarded with beautiful children: Chinwe, (ADA) Obianwu, Okechukwu (Diokpa) Obianwu, Ebelechukwu Obianwu, Nnamdi Obianwu, Anthony Obianwu and the most supporting group of in-laws: Amaechi Mbanefo, Cecilia Obianwu and Chilo Obianwu. Our Daddy Ezennia was also blessed with many grand children: Uchenna Obianwu, Jane Mbanefo, Patrick Mbanefo, George Mbanefo, Ifeoma Mbanefo, Adaobi Obianwu, Osita Obianwu, Nnenna Obianwu, Ebelechukwu Obianwu Jr., Odiakosa Obianwu, and Adaeze Obianwu. Ezennia is also survived by a long chain of brothers and sisters, nieces and nephews, cousins and a sea of friends and well wishers. It goes without saying that you have led a fulfilled life.

After serving proudly, fighting as a soldier in Burma during the 2nd World War with sustained injuries to show for it, you worked at the Federal Ministry of Information in Lagos and retired proudly as a senior civil service worker. Despite all this, your love for music kept shinning through. You played music at famous hotels in Lagos like Gondola and the Federal Palace, including the Presidential and Hotel Metropole in Enugu, Nigeria. You became very famous in music and touched many hearts. Your genius earned you the name "Uncle Mike Obianwu" and you recorded two albums including the award winning folk song "Love Nwantinti". You became one of the respected Agbalanze of Onitsha and was crowned with the title; EZENNIA and for this we salute you.

Daddy, you were truly an accomplished man of God. He only takes the best. This is why He has called you home to give you rest. God's garden must be beautiful, and there must be a beautiful white Grand Piano, waiting for you in heaven, to strike beautiful melodies for God's listening pleasure and for the Angels to dance to. It was no surprise that on the day of your passing, you were jovial as usual and you told us how much you loved us. You then said "Tell 'V' I love her" (meaning Mom) and asked to let you rest. Your Doctor asked if you were ready to be discharged, your answer was "YES, I AM READY TO GO HOME" and home you went, drifting gently like the wind. When we saw you sleeping so peaceful and free from pain, we could not wish you back because the Lord needs you more now than we do.

"For YOUR gift O'LORD, we will rejoice and be glad."

Rest in perfect peace, Good Bye, All Our Love is with you.

On Behalf of All of Your Children,
Chinwe, (ADA) Obianwu, Okechukwu (Diokpa) Obianwu, Ebelechukwu Mbanefo, Nnamdi Obianwu & Anthony Obianwu
Wake will be kept for Mike Obianwu August 15th at 18351 Queen Anne Road, Upper Marlboro, Maryland, 20774, and his final resting place will be Onitsha, Anambra State, Nigeria on August 29. In Uncle Mike's memory let's listen to "Love Nwantinti":

Nelly Uchendu & Mike Obianwu - Love Nwantinti/Ada Eze/Onye Nwulu Ozuluike

Sunday, July 26, 2009

Once More on Rex Lawson & Biafra




Once again our friend
Rainer has come through with an exceedingly rare artifact from the golden age of Nigerian highlife music, in this case a 10" pressing of Love "M" Adure Special, from which I posted some tracks June 21. This was apparently the first pressing, released in 1972. Or maybe it wasn't the first pressing! Rainer writes, ". . . the label says AGR002 etc. But the matrix number says (P)1970 and gives a Philips label number 6386004 as a reference (the Dan Satch is from 1969/70 and has 6386008) Why did they write 1972 on the label? Was this supposed to be released on Philips first back in 1970 but saw the light of day in 72 on Akpola!? Or am I just thinking too much?"

Apart from having a different cover and slightly different reference number (AGR 002 rather than AGB 002), this earlier iteration of Love "M" Adure Special, also on Akpola Records of Benin City, differs in several other respects from my copy. For one thing, it has 10 tracks instead of 12. Also, it includes the song "Gowon's Special," which was omitted from the later record, although it was listed on the sleeve. And for what it's worth, it's a much better pressing.

"Gowon's Special" is very interesting in that it marks Lawson's evolution from being a full-throated supporter of Biafran independence in 1968 to singing the praises of Nigerian head of state Yakubu Gowon for "keeping Nigeria one" in 1972. Listen to it here:

Cardinal Rex Lawson & his Rivers Men - Gowon's Special

I won't presume to understand Lawson's motivations for making "Gowon's Special" as well as the earlier "God Bless Colonel Ojukwu."



To help clarify things, here is the recording information for the two pressings of Love "M" Adure Special:

Cardinal Rex Lawson & his Rivers Men
Love "M" Adure Special

(10" LP; Akpola AGR 002, 1972)
A1. Love "M" Adure Special
A2. Gowon's Special
A3. Saturday Sop Di
A4. Yellow Sisi
A5. Nkpa Ke Da Owo
B1. Tom Kiri Site
B2. Wasenigbo Tua
B3. Akwa Abasi
B4. Nume Inye (Nume Alabo)
B5. Peri Special Mbanga II

Cardinal Rex Lawson & his Rivers Men
Love "M" Adure Special
(12"LP; Akpola AGB 002, 197?)
A1. Jolly Papa Special
A2. Love "M" Adure Special
A3. Saturday Sop Di
A4. Yellow Sisi
A5. Abasi Ye Enye
A6. Nkpake Da Owo
B1. Tom Kiri Site
B2. Wasenigbo Tua
B3. Ese Ayang Iso
B4. Akwa Abasi
B5. Nume Inye
B6. Peri Special
One nice thing about the original 10" LP is that it includes a listing of the musicians and summaries of the lyrics. You can download the whole album as a zipped file here.



In the comments there's been a side discussion on the question of whether records were actually pressed in Biafra during the war. I thought it was possible, even though all of the major pressing facilities were in the North and West before the war (Nigerphone may have had a plant in Onitsha). After thinking it over, and consulting the map below (click to enlarge) from John de St. Jorre's The Nigerian Civil War (Hodder & Stoughten, 1972), this seems most unlikely.

As the map shows, by October of 1968 the territory under Biafran government control had been reduced to about one sixth of what it was at Independence, and didn't include any of the major cities (Onitsha fell in March of 1968). Although the margins of the Biafran enclave changed slightly over the course of the conflict, this is where things stood until the last months before the war ended in January 1970. Therefore, any "Biafran records" would have to have been pressed outside of the country and smuggled in.



Tuesday, July 21, 2009

Kasule




Ugandan singer/guitarist Sammy Kasule is present on many Kenyan recordings made during the 1980s. He was a member of Frantal Tabu's Orchestra Vundumuna, and as part of another group, Africa Jambo Jambo, was recruited to fill in as part of Orchestra Simba Wanyika during their 1989 European tour.

The 1984 solo LP Kasule (CBS (N) 014) was a smash, spawning three hits, "Kukupenda (Kuusudu)," "Ushirikiano" and Kasule's English-language version of Nguashi Ntimbo's "Shauri Yako," which I featured in my last post. Kasule's translation in turn formed the basis for Mbilia Bel's version of the song.

I understand Sammy Kasule is presently living in Stockholm.

Here are the complete contents of Kasule:

Sammy Kasule - Pesa Kuja

Sammy Kasule - Zongolo

Sammy Kasule - Shauri Yako

Sammy Kasule - Kukupenda (Kuusudu)

Sammy Kasule - Ushirikiano

And here are two singles that Kasule recorded around the same time that Kasule came out. "Numevumila" was on the Doromy label (DM 41), while "Niliota Ndoto" was issued on the VGA Editions Scolar label (VGA 008):

Sammy Kasule & Orchestra Samajako International - Numevumila Pts 1 & 2

Sammy Kasule & Ochila Odero - Niliota Ndoto Pts 1 & 2

Note: Tracks from the LP Kasule are no longer available for download. The album may be purchased online here.



Sunday, July 19, 2009

From Congo to Kenya Pt. 1



Have you seen Alastair Johnston's website Muzikifan? It's a must-go-to destination for anyone who's interested in African music or World Music™ in general. Alastair recently published A Discography of Docteur Nico (Poltroon Press, 2009), which is an outgrowth of the site. I haven't seen it yet, but it's an obvious labor of love, and a must-have for any African music fan. You can get it through the site. As of yet there doesn't seem to be any distribution through Amazon or Sterns, but hopefully there soon will be.

But that's not what this post is about. Some time ago, Alistair began a comprehensive study/discography of Congolese/Zaïrean musicians in East Africa, which over the years has grown into an impressive body of work. It turns out I have a fair number of tracks by some of these musicians, so I thought it would be worthwhile to give them a spin.

Political and economic turmoil sent Congolese/Zaïrean musicians east to Tanzania and Kenya beginning in the '60s, and the '70s through the mid '80s were the "Golden Age" of expatriate musicians in East Africa (in 1985 President Daniel Arap Moi of Kenya ordered the expulsion of foreign workers, including musicians). The well-known Samba Mapangala of Malako Disco fame is part of this generation, as are Mose "Fan Fan" Se Sengo and Remmy Ongala.

Probably the most influential of these artists was Baba Gaston (1936-1997), whose picture is at the top of this post, and who ended up in Dar-es-Salaam
with his Orchestre Baba Nationale in 1971, moving to Nairobi four years later. Gaston's various orchestras comprised a veritable university of East African music owing to the numerous musicians who passed through before going on to join or establish other outfits, among them Les Mangalepa.

Here are some 45s from Gaston's career in East Africa. I suspect the first two tracks (from ASL ASL 7-1520) are from 1973 or thereabout, while "Kalai" (Yahoos YS 001) is probably from the early '80s:

Baba Nationale - Zala Reconnassant Fa Fan

Baba Nationale - F.C. Lupopo Bana Ya Tembe

Baba Gaston & Orchestre Tchondo National - Kalai Pts 1 & 2

You can download Baba Gaston's wonderful LP Condition Bi-Msum (ASL ASL 971) from Worldservice here.

Jimmy Monimambo, who features in "Amba," was one of three outstanding vocalists in Orchestra Shika-Shika, the others being Moreno Batamba and Vicky "Lovy" Longomba, who will be discussed in a future post. "Amba" (Daraja DJ 005) was one of the group's major hits:

Jimmy Monimambo & Orchestra Shika-Shika - Amba

"Shauri Yako" is a song that is well-known to many Likembe reader/listeners thanks to the version by Orchestre Super Mazembe, but it was written by Nguashi Ntimbo, a veteran of Baba Nationale for many years before starting his Orchestre Festivale du Zaire and later working for Franco's TPOK Jazz. In addition to Super Mazembe, "Shauri Yako" was recorded by Ugandan singer Sammy Kasule and Mbilia Bel, but Festival du Zaire's version (ASL ASL 3393) is arguably the best. You may have heard this one before as it's been on a couple of other blogs, but another go-round won't hurt you:

Orchestre Festival du Zaïre - Shauri Yako

"Madya" (ASL ASL 7-3351) was apparently recorded a year or two before "Shauri Yako":

Orchestre Festival du Zaïre - Madya


It's interesting how, once Congo musicians moved to East Africa, their sound opened up and became more rhythmically free and experimental. To get what I'm talking about, listen to the guitar and horn work in the next two tracks (ASL ASL 7-1145) by Les Noirs/City Five. Alastair doesn't say much about the origins of Les Noirs, but they seem to have been one of those groups that everyone was a member of at one point or another:

Les Noirs/City Five - Mungo Iko Helena

Les Noirs/City Five - Lwaki Oyomba Awatali Nsoka
Alastair Johnston's article "Congolese Bands in East Africa" was of inestimable help in preparing this post, and should be consulted for more information about these artists. I'll be discussing more Congo musicians in East Africa in a future post.

Sunday, July 12, 2009

Hailing Biafra




Note: This post was updated on October 4, 2009.

My post "Divided Loyalties" inspired an anonymous reader to make available an intriguing souvenir of the Biafran independence struggle. First Independence Anniversary Special, a 45, was issued in 1968 by the Biafra Association in the Americas, Inc. under the reference number XB-439/XB-440. The A side is "A Nation is Born," a previously-unknown-to-me song by highlife master Celestine Ukwu, while the flip side is the song
"God Bless Colonel Ojukwu" by Rex Lawson, which I featured in that earlier post under the title "Odumegwu Ojukwu (Hail Biafra)."

Anonymous poses an interesting question: While First Independence Anniversary Special was obviously pressed in the United States, were records pressed in Biafra during the war? I do know that music by Ukwu and other musicians was recorded and broadcast on Radio Biafra during the conflict, but I'm not aware of any record-pressing facilities in Biafra at the time. Of course, there is always the possibility that records were pressed abroad and smuggled into the Biafran enclave, a fraught task. Could someone shed some light on this matter for us?

Courtesy of Anonymous, here is Celestine Ukwu:

Celestine Ukwu - A Nation is Born

For some time I've been trying to get hold of another record released in the US during the war, Igba na Egwu Ndi Biafra Ji na Anu Agha: Drums and Chants of Fighting Biafra (Afro Request SRLP 5030) by the mysterious "Biafran Freedom Fighters." If anyone out there has a copy, I'm sure we'd all love to hear it.

I have an LP which was apparently put out by the same people who issued First Independence Anniversary Special. This is Biafra (Biafra Students Association in the Americas XB-149/XB-150) features an instrumental, "Hail Biafra" (the Biafran national anthem?) and a speech by Odumegwu Ojukwu on Side 1, and seven musical selections on Side 2. Unfortunately, while the song titles are given, the artists aren't credited.

I'm posting the contents of This is Biafra. "Hail Biafra" is not especially notable and the Ojukwu speech is more of a historical document, but the other tracks should be of interest to Likembe reader/listeners. I have identified "Onwu Zuri Uwa" and "So Ala Temen" as by Rex Lawson. "A Tit for Tat" is by Area Scatter, and "Onye Nwe Uwa" is by the Nkwa Wu Ite Dance Group of Afikpo (thanks to Anonymous & Vitus Jon Laurence for identifying those two). Perhaps someone could identify the other musicians:

Hail Biafra

The Struggle for Survival: H.E. Lt. Colonel Odumegwu Ojukwu, Governor of Biafra (November 24, 1967)

Cardinal Rex Lawson - Onwu Zuru Uwa (There's Death Everywhere)

Unknown Artists - Nkponam Isuhoke Owo (Misfortune Never Discriminates)

Nkwa Wu Ite Dance Group of Afikpo - Onye Nwe Uwa (Who Owns the World?)

Cardinal Rex Lawson - So Ala Temen (Nature Bestows Riches)

Area Scatter - A Tit for Tat

Unknown Artists - Akpasak Ibok, Idiok Udono (Vice is a Terrible Disease)

Unknown Artists - Thou Shalt Not Kill

I've written about the Biafran situation in previous posts, and I would recommend John de St. Jorre's The Nigerian Civil War (Hodder & Stoughton, 1972), long out of print, as an even-handed and detailed account of the conflict. This article from Wikipedia is also useful. I would say at the risk of sparking a controversy that I think the Biafran cause was a noble one, and had it succeeded, would have changed the course of African history in a positive direction. But I'm afraid Biafra's historical moment has come and gone; whatever the future of Africa has in store, an independent Biafran state will probably not be part of it.

Download This is Biafra as a zipped file here.